Fine Arts教案

a. happiness always gives us warmth.b. happiness can be found everywhere.c. happiness is not dependent on our mind.d. happiness is inside us and is not far away.exercise three:look at the sentences below. put them into the right order to make a paragraph. find the topic sentence first.1) keys: ①their painting were realistic, but the painters also wanted to show their feelings about the landscape.②these artists painted with watercolors and inks, using soft brushes.③chinese landscape painting was at its best over a thousand years ago, in the time of the song landscape artists.④they were very successful in achieving both aims.2) keys: ①also, most english men will open a door for a woman or offer their seat to a woman, and so will most americans. ②the americans and the british not only speak the same language but also share a large number of social customs.③for example, in both america and england, people shake hands when they meet each other for the first time.④promptness is important both in england and in america. ⑤that is, if a dinner invitation is for 7 o’clock, the dinner guest either arrives close to that time or calls up to explain his delay.part2: group one writes a paragraph beginning with the first topic sentence; group two the second; group three the third.topic sentences:①everyone agrees that traditional chinese painting is very beautiful.②television can also play an educational role in our daily life.③however，television can also be harmful.writing:part3:revised version:補充文本： guernica(格爾尼卡)《格爾尼卡》，畢加索作，1937年，布面油畫，305.5×782.3厘米，普拉多博物館藏。油畫《格爾尼卡》，是畢加索作于30年代的一件具有重大影響及歷史意義的杰作。此畫是受西班牙共和國政府的委托，為1937年在巴黎舉行的國際博覽會西班牙館而創作。畫中表現的是1937年德國空軍瘋狂轟炸西班牙小城格爾尼卡的暴行。作為一個具有強烈正義感的藝術家，畢加索對于這一野蠻行徑表現出無比的憤慨。他僅用了幾個星期便完成這幅巨作，作為對法西斯獸行的譴責和抗議。畢加索雖然熱衷于前衛藝術創新，然而卻并不放棄對現實的表現，他說：“我不是一個超現實主義者，我從來沒有脫離過現實。我總是待在現實的真實情況之中。”這或許也是他選擇畫《格爾尼卡》的一個重要原因吧。然而他此畫的對于現實的表現，卻與傳統現實主義的表現方法截然不同。他畫中那種豐富的象征性，在普通現實主義的作品中是很難找到的。畢加索自己曾解釋此畫圖像的象征含義，稱公牛象征強暴，受傷的馬象征受難的西班牙，閃亮的燈火象征光明與希望……。當然，畫中也有許多現實情景的描繪。畫的右邊，一個婦女懷抱死去的嬰兒仰天哭號，她的下方是一個手握鮮花與斷劍張臂倒地的士兵。畫的左邊，一個驚慌失措的男人高舉雙手仰天尖叫，離他不遠處，那個俯身奔逃的女子是那樣地倉惶，以致她的后腿似乎跟不上而遠遠落在了身后。這一切，都是可怕的空炸中受難者的真實寫照。